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Ping Bodie: S.F.'s Home Run Hero of the Dead-Ball Era

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Ping Bodie
One of the most feared sluggers of the 1910s was Cow Hollow native Francesco "Frank" Stephano Pezzolo, better known in baseball as Ping Bodie.  Bodie played with the San Francisco Seals in 1910 hitting 30 home runs that season, the most home runs any player, majors or minors, had ever hit in a single season at that time. He called himself "Ping" for the sound that the ball made when he smashed his bat against it and he chose the last name, "Bodie" for the mining town where his father once worked. Local fans just called him "the World Champion of Home Runs."

1945 edition of
You Know Me Al
by Ring Lardner
In 1911, Bodie became the first Italian-American to play in the major leagues when the Chicago White Sox called him up. He was a bit limited as a ballplayer. Sportswriter Buggs Baer once noted after a failed attempt to steal base, "His heart was full of larceny but his feet were honest." What he lacked in base-running, however, he made up for with big hits... and a big ego. "I can crash that ol' apple" and "I'm Bodie, the guy that can whale that onion," are just a few of his typical boasts. While he played, his five year-old son continued the boasts for him, announcing to all the fans in the grandstand, "My dad is the best hitter in all the league." When someone asked, "How do you know?" the kid replied, "Dad told me so."

Sportswriter Ring Lardner most likely based his character Jack Keefe on Ping Bodie. The fiction series You Know Me Al originally ran in the Saturday Evening Post from 1914 to 1919. In 1922, Lardner turned it into a comic strip that ran on newspaper sports pages.



After four years with the Sox, Bodie was sent back down to the San Francisco Seals. (Although, he claimed it was only because he wanted to attend the Panama-Pacific International Expo.) He was back in the big leagues again in 1917, playing for the Philadelphia Athletics. In 1919 he was traded to the New York Yankees and when Babe Ruth joined the team in 1920, Ping Bodie was his roommate - though Bodie claimed to have only been roommates with Ruth's suitcase.

PING BODIE QUITS BASEBALL -- OPENS SERVICE STATION
January 14, 1929 - Ping Bodie, the Italian fence buster of San Francisco and nationally known baseball player has opened a gasoline service station and coffee shop in San Francisco. It is rumored, however, that Ping will act as coach for St. Ignatius College during the coming baseball season.



Bodie left the majors in 1921. He continued to play minor league ball, opened a gas station in San Francisco near Recreation Park, and later got a job as an electrician in Hollywood. Lefty O'Doul personally delivered a Seals cap to him every season that Ping lived in Los Angeles,

July 4, 1936 - "Ping" Bodie, former American league baseball star and roommate of Babe Ruth of the New York Yankees, discusses motion picture lighting with Charles Boyer on the set of Selznick International's "The Garden of Allah". Boyer is starred with Marlene Dietrich in David O. Selznick's initial technicolor production.

The fans never forgot Ping Bodie either. Saturday, August 27, 1927 was  dubbed "Ping Bodie Day" at Recreation Park. The day was sponsored by San Francisco's Italian community who showered the former ball player with gifts. When the Giants moved to San Francisco, Bodie was given a lifetime pass to Candlestick Park that was signed by the presidents of the National and American Leagues "in appreciation of long and meritorious service."

Francesco Stephano Pezzolo, aka Ping Bodie was born October 8, 1887 and died December 17, 1961 in San Francisco. He is a member of the Italian American Sports Hall of Fame.

Further Reading:

Barbary Baseball: The Pacific Coast League of the 1920s by R. Scott Mackey

The Golden Game: The Story of California Baseball by Kevin Nelson

Ring Lardner's You Know Me Al: The Comic Strip Adventures of Jack Keefe

You Know Me Al: A Busher's Letters by Ring Lardner

"Bodie, Ping" in the San Francisco Examiner newspaper clippings morgue at the San Francisco History Center.

"Bodie, Ping" [P71] in the San Francisco News-Call Bulletin photo morgue at the San Francisco History Center.



HBC 44: Tribute to Robert Rosenzweig

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"About Love" bound by Robert Rosenzweig, artwork by Regina Kirschner-Rosenzweig, photo courtesy of Lisa Heer.

Tribute to Robert Rosenzweig by Signa Houghteling


This year we are also paying tribute to the work of one of our most venerable members, Robert Rosenzweig. Bob was born, raised and educated in Chicago, Illinois (University of Chicago, MS Mathematics, 1949).  As a young man, he developed a love of books and art and began collecting during his stint in the army during WWII.  Although pursuing a career in the design and implementation of computer systems for the insurance industry, Bob started lessons in the English tradition of binding at the Newberry Library during his spare time. After retiring here in the Bay Area, Bob turned to bookbinding in earnest, volunteering in 1988 at the Arion Press.  While sanding boards and paring pigskin for the Arion Press edition of James Joyce’s Ulysses, he was introduced to Eleanore Ramsey who became his teacher – this time in the French tradition of fine binding. Since then, Bob has completed many full leather bindings in the French style as well as other books and boxes in a wide variety of structures and materials.

Robert Rosenzweig. Photo courtesy Signa Houghteling
Bob is a committed family man.  He is married to Regina Kirschner-Rosenzweig, who is herself a talented print-maker, painter, and art teacher; Regina, too, is a valued member of the HBC community.  Much of Bob’s work displayed here demonstrates their close collaboration either in inspiration or the materials Bob has incorporated into his books.  In several you will see Regina’s monotypes, etchings, and paintings used as decorative panels or covers.  His binding for About Love, was especially designed to open into an easel displaying a selection of Regina’s monoprints. Many of his works were made for his grandchildren and testify to his deep love for both books and family. 

These are just a few of an extraordinary body of work for a full-time computer specialist. We are so glad Bob’s persistence has kept him working on his great love, books.
 

About Love: Fifteen Original Monotypes
Regina Kirschner-Rosenzweig, artist/illustrator
58.4 x 43.2 cm
Photos courtesy of Lisa Heer

Sewn on tapes, tight back construction.  Bound in Harmatan goatskin and Ultra- suede; airplane linen covered in paper was used for the hinge.  Hand sewn end bands.  The prints are folded.  The Japanese paper guards on the spine edge are sewn montage sûr onglet.  Panels in front and back covers pull out and extend to form an easel for the open book.The fore-edges of the prints are hinged together to allow the viewer to see the back of the prints.




Photo Album
2016
25.0 x 36.0 cm
Photos courtesy of Lisa Heer

The album is covered in full oatmeal linen with three of the artist's leather bookbinding plaques set into the boards. The boards were cut out and the plaques inset permitting both sides to be seen. The plaques are covered in full leather with gold, palladium and blind tooling as well as various colors of chagrin and Harmatan leathers. As part of the study of traditional French bookbinding, plaques are made to learn the process of tooling and applying colored leather mosaics onto leather.



Frank J. Piehl
The Caxton Club 1895-1995: Celebrating a Century of the Book in Chicago
Chicago: Caxton Club, 1995
18.5 x 2.8 cm
Photos courtesy of Lisa Heer

Bound in half-leather binding style with leather spine and edges around all sides. Central panels use a photo-manipulation of the architecture of the Chicago Public Library printed on marbled paper. Similar imagery printed on marbled paper is used for the endpapers.




Mark Twain
The Adventures of Huckleberry Finn
London: Chatto & Windus, 1884
First English Edition
17.7 x 4.0 cm
Photos courtesy of Lisa Heer

Full leather binding covered with tie-dyed Nigerian leather goatskin used to reference the flowing waters and tangled vegetation of the Mississippi River.  Endsheets include monotypes depicting Huckleberry Finn by Regina Kirschner-Rosenzweig.




William Shakespeare
The Complete Sonnets
London: Sylvan Press, 1955
22.0 x 29.6 cm
Photos courtesy of Lisa Heer

Full leather tight-back binding covered with brown chagrin leather. Embossed decorative inlays of various leathers and printed imagery. Gold and palladium tooled design on cover symbolizes the syntactical structure of the sonnet. Gold-tooled spine. Endsheets incorporate original etchings by the binder’s wife of his granddaughter with her uncles. Book was produced as a gift for the binder’s granddaughter.




Plato
The Phaedo
Translated by Benjamin Jewett
Waltham Saint Lawrence, England: Golden Cockerel Press, 1930
19.5 x 26.6 cm
Photo courtesy of Lisa Heer

Tight-back French chagrin leather with black leather inlays. Top edge gilded in gold. Hinge and fly leaf of French chagrin; Italian marbled endpapers. Box is covered in linen, with shelf-edges in maroon French chagrin leather; lined in Ultrasuede. Design based on ancient Greek black-figure pottery. 







Nathanial Hawthorne.

Rappaccini's Daughter.

Wood engravings by John De Pol

Greenbrae, California: Allen Press, 1991.

Box: 30.4 x 28.1 x 5.2 cm.

Book: 1.0 x 19.0 x 2.4 cm.

Antidote Box: 6.0 x 4.5 x 3.0 cm.



Full leather binding in Harmaton "floriated" goat skin to suggest the poison emitted from the flowers in Rappaccini's garden.  The doublures use reproductions of Rossetti's portrait of William Morris's daughter to represent Rappaccini's daughter.  The gold-plated bottle, with its own drop-back box represents the Cellini bottle which contains the antidote for the poisons described in the Hawthorne novel.
Photos courtesy of Lisa Heer




Giacomo Leopardi
L’infinito, in tutti le lingue che l’hanno saputo pronunciare
Urbino: Edizione I.S.A., 1997
23.6 x 3.8 x 32.1 cm
Photos courtesy of Lisa Heer

Half-leather binding with leather edges on three sides with a leather spine; central panels on front and back are monoprints by Regina Kirschner-Rosenzweig. Endsheets of Japanese chiyogami paper.  



Czeslaw Milosz
The World
Dry point etching by Jim Dine
Signed by the Author
San Francisco: Arion Press, 1989
26.2 x 1.8 x 36 cm
Photo courtesy of Lisa Heer

Full leather binding of brown and green leather with onlays in ten colors picturing a view of distant hills, fields, and a river with its bordering trees and plants.  This is based on Milosz’s poem, The Porch. The board sheets, done in paper, represent the back of the hills.

The Marjorie G. and Carl W. Stern Book Arts & Special Collections Center presents the Hand Bookbinders of California's Annual Members’ Exhibition, to celebrate the group’s forty-fourth year. The exhibition opens on Saturday, June 18th, at 2pm, at the San Francisco Public Library’s Skylight Gallery, Sixth Floor, Main Library. The exhibition continues through September 3rd.



San Francisco Theaters in the Spotlight

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This year's One City One Book selection is Beautiful Chaos: A Life in the Theater by Carey Perloff and the San Francisco History Center is getting in on the act with a display of photos and ephemera on San Francisco's A.C.T. theater as well as two "Hands on History" events this month.

The Geary Theater, 1910.
San Francisco Historical
Photograph Collection, SFPL
The lights are now up on an exhibit highlighting the history of the American Conservatory Theater in San Francisco. Located in the lower level of the main library, it features photographs, articles, and posters from the library's San Francisco History Center and the Art, Music & Recreation department. The display will run through the end of this year.

Tony Kushner's Pulitzer Prize-winning Angels In America opened in 1994 and became the longest-running and most successful production in A.C.T. history
Carey Perloff appointed artistic
director of A.C.T. in 1992.

On Saturday, October 8, and Wednesday, October 12, archivists from the San Francisco History Center will take the stage for a close-up show-and-tell of original manuscripts, newspapers, and photographs documenting the city's performing arts. These "Hands on History" events will take place within the San Francisco History Center on the 6th floor of the Main Library. Attendance is free, but space is limited. Reserve your spot on Eventbright:

Resources for Mid-20th Century San Francisco Protests and Social Movements

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Twice a year, one of the archivists here in the San Francisco History Center, travels across town to visit the undergraduate history classes at San Francisco State University (SFSU). The goal is to share primary resources available in the San Francisco Public Library and connect the students with these materials for their research papers. The opportunity gives the archivists an inside-view of what young historians are interested in and want to research more about - specifically with San Francisco and California history. Every semester, approximately 30% of the research topics relate to social movements and protests. Based on popularity, below is a curated version of archival collections, ephemera files and books to start the investigative process in selected social movements that occurred in mid-20th century San Francisco. Yes, you may find most of these resources in our online catalog but there's also a few pro-tips added to guide the research!

Civil Rights:
Tracy Sims of SF CORE protesting Bank of America, May 1964. Courtesy of San Francisco History Center, San Francisco Public Library.
Eighteen year old Tracy Sims of SF CORE participating in statewide protest of Bank of America to secure more jobs for minority community members, May 1964.

Vietnam War Protests:

Mothers leading Antiwar protestors down Oak Street to Federal Building, April 1965. Courtesy of San Francisco History Center, San Francisco Public Library.
Mothers leading Antiwar protestors down Oak Street to Federal Building, April 1965
  • Marjorie Colvin San Francisco Bay Area Antiwar Papers, 1965-1971: Newsletters, fliers, magazines, correspondence, ephemera, and snapshot photographs documenting the anti-Vietnam War movement in the San Francisco Bay Area. The papers appear to be those of Marjorie Colvin, an antiwar activist who edited the Vietnam Day Committee's magazine Did You Vote for War? (1965) and was involved in the Bay Area Peace Action Council, which among other activities, worked to get a referendum on the ballot in San Francisco calling for the immediate withdrawal of troops from Vietnam.  
  • Downtown Peace Coalition Records: The Downtown Peace Coalition (DPC) was a San Francisco organization active from 1969-1972. The collection consists of correspondence, agendas, leaflets, flyers, financial statements, newspapers, and ephemera advocating for the end of the Vietnam War, the use of nuclear power, San Francisco district elections and the United Farm Workers boycott.
  • San Francisco Ephemera Collection: Files--
    • Peace marches and Vietnam War protests circa 1961-1975
    • Protests. Vietnam War

San Francisco State College Strike:

San Francisco State Collect Student Strike, 1969. Photo by Greg Kelly. Coutesty of San Francisco History Center, San Francisco Public Library.
San Francisco State Collect Student Strike, 1969. Photo by Greg Kelly.

Alcatraz Island Indian Occupation:

Alcatraz Island Indian Occupation, c. 1970. Photo by Sam Silver. Courtesy of San Francisco History Center, San Francisco Public Library.
Alcatraz Island Indian Occupation, c. 1970. Photo by Sam Silver
  • Alcatraz Indian Occupation Records: Correspondence, minutes, legal files, promotional materials, publications, petitions, and a few objects and photographs documenting the activities of Indians of All Tribes, its governing council, and individuals involved in the occupation of Alcatraz from Nov. 1969 - June 1971
  • San Francisco Ephemera Collection: Files--
    • Islands. Alcatraz. Indians - Magazine articles and newspaper clippings
    • Islands. Alcatraz primer 1970

Pro-tips on researching social movements and protests at San Francisco Public Library:
    1. Always start with a catalog search.
    2. Use your San Francisco Public Library card to access the San Francisco Chronicle Current and Historical database. Full-text of the newspaper 1869 - current.
    3. Explore digital images of protestsand picketing, uprisings and riots, and activists.
    4. Ask a librarian! Text, email, call or visit! 

        San Francisco Fire Department's First Official Photographer: Chet Born

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        San Francisco Fire Department in action, circa 1965. Photo by Chet Born. Courtesy of San Francisco History Center, San Francisco Public Library.
        San Francisco Fire Department in action, circa 1965. Photo by Chet Born.
        In honor on San Francisco Fire Department's 150th Anniversary, we're spotlighting Chet Born, Photo No. 1. Born was a San Francisco firefighter and became San Francisco Fire Department (SFFD)'s first photographer in 1955. Chet Born's personal papers, scrapbooks and photographs were gifted to the San Francisco Public Library by his daughter and the collection was recently processed and opened for research.
        Fire on 2400 block of Mission Street, circa 1967. Photo by Chet Born. Courtesy of San Francisco History Center, San Francisco Public Library.
        Fire on 2400 block of Mission Street, circa 1967. Photo by Chet Born.

        About the Chester (Chet) O. Born Papers 

        Chester (Chet) O. Born's papers document his professional and public life from the 1940s until his death in 1973, tracing the trajectory of his career as a SFFD photographer; as well as his public life as a public speaker. The collection consists of photographs and color slides; scrapbooks; correspondence; certificates and awards; newspaper clippings and publications, the bulk of which feature or include photographs of and by Born. Most of the photographs document fires fought and rescues by SFFD between 1959 and 1973. A small number of photos are of Chet Born and other SFFD members. There are approximately 540 color slides which Born used for his public presentations. Many of the photographs are included in the scrapbooks.




        About Chet Born
        -
        Chester (Chet) O. Born was born on May 28, 1923 in San Francisco and grew up in the Sunset District on Twenty-first Avenue. Born’s interest in fire-fighting began with his neighborhood firehouse 40 Engine by getting to know the firemen and going to fire scenes to take photos. Born attended Polytechnic High School with the career ambition of “Fire Chief” noted in the Fall 1940 yearbook.

        Born was appointed to the Underwriters' Fire Patrol of San Francisco on March 8, 1942 and entered the SFFD on July 1, 1943 as the Fire Patrol was merged into the SFFD by a City Charter amendment. On December 19, 1942 Born took military leave to the join the United States Marine Corps. As a Marine in World War II, Born took part in the capture of Iwo Jima in 1945. After active duty in the Pacific Theater, he returned to the department on May 8, 1946. As a young firefighter, Born took photos during his off-duty hours. His photos were first published in the San Francisco Firefighters’ Local 798 newspaper, The Inside Box. On August 30, 1951 he was granted military leave for the Korean police action, and returned to duty on September 12, 1952. He was a full-time firefighter until an injury prompted Chief William F. Murray to appoint Born as the department’s first full-time photographer in 1955. Born was formally designated as Photo One on November 7, 1960. He was appointed Inspector on September 19, 1965.

        As Photo No. 1 – and the inception of SFFD's photographic unit – Born was responsible for photographing and filming Department activities. Born received numerous national and international awards of excellence for his photography and films which made him a premiere and noted fire photographer. Born was active in presenting many public relations presentations with his color slides throughout the community. During his career he was injured more than 50 times in fires and explosions. 
        Chet Born taking photograph with cut wrist at Sutter & Fillmore Streets, 1964. Photo by San Francisco News Call Bulletin. Courtesy of San Francisco History Center, San Francisco Public Library.
        Chet Born taking photograph with cut wrist at Sutter & Fillmore Streets, 1964. Photo by San Francisco News Call Bulletin.
        In addition to recording fires, “Photo No. 1” had other duties: Born’s photos of potentially hazardous conditions aided the Fire Prevention Bureau in their efforts to enforce fire codes; photos of rescues and accidents aided the Division of Training in their instruction of new firefighters; his work assisted Arson Inspectors in determining causes of fires. In the 1960s he responded to more than 700 incidents a year. In addition to local press, Chet provided national newspapers and magazines with many spectacular photos of SFFD at work. Along with his still cameras, he also used a 16mm film camera at major alarm fires – which was used for training.

        Born retired from the SFFD on October 3, 1973. Chester O. (Chet) Born died on June 1, 1987. His Photo No. 1 helmet was donated in his memory in 1993 to the SFFD Pioneer Fire Museum.

        San Francisco Fire Department in action, March 1964. Photo by Chet Born. Courtesy of San Francisco History Center, San Francisco Public Library.
        San Francisco Fire Department in action, March 1964. Photo by Chet Born.

        Resources for research on San Francisco Fire Department:

        Bruce Conner in Book Arts & Special Collections

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        Bruce Conner, photograph of Superhuman Devotion from cover of Philip Lamantia's Destroyed Works, 1962.
        Bruce Conner, photograph of Superhuman Devotion from cover of Philip Lamantia'sDestroyed Works, 1962.
        The San Francisco Museum of Modern Art has an extensive retrospective of Bruce Conner's work on display through January 22, 2017. The title of the exhibition, It's All True, refers to something Conner wrote to a friend about how the media represented him.

        We were pleased to find some of Conner's work and some Conner-inspired work in our collection, including the Auerhahn Press broadside Two For Bruce Conner, shown below.


        Two For Bruce Conner, broadside, Auerhahn Press, 1964
        Two For Bruce Conner, broadside, Auerhahn Press, 1964

        Two Auerhahn Press books in our collection, which were printed by Dave Haselwood, feature Conner's work.

        One is Philip Lamantia's Destroyed Works, 1962. The photograph on the cover (seen at top) is a reproduction of a collage by Bruce Conner entitled Superhuman Devotion, a work which is no longer extant.Contents of the book include Hypodermic Light, Mantic Notebook, Still Poems, and Spansule. This book was designed and printed by Dave Haselwood and Andrew Hoyem at the Auerhahn Press, 1334 Franklin, San Francisco, from monotype Caslon on a Hartford letterpress, and published in two editions: the first, limited to  fifty copies, handbound in black Bavaria cloth by the Schuberth Book Bindery and signed by the author; the second, limited to  1,250 copies and bound in paper, which is the edition the library owns.

        Another Auerhahn Press/Dave Haselwood book in our collection isBruce Conner / Michael McClure from 1966.


        Bruce Conner, cover of Bruce Conner / Michael McClure, 1966.
        Bruce Conner, cover of Bruce Conner / Michael McClure, 1966.
        Their names are repeated on the title page to form a square which encloses a thirty-six point bullet point.

        Bruce Conner, illustration from Bruce Conner / Michael McClure, 1966.
        Bruce Conner, illustration from Bruce Conner / Michael McClure, 1966.

        1200 copies were printed on sixty-five pound beige cover stock, saddle-stitched into 130 lb cover; text in twelve point Clarendon, and versos printed with Ben Day dot screen. Conner's illustrations alternate with McClure's poems. The original artwork for these images are on display in the SF MOMA exhibition.

        Bruce Conner, illustration from Bruce Conner / Michael McClure, 1966.
        Bruce Conner, illustration from Bruce Conner / Michael McClure, 1966.
        Bruce Conner, illustration from Bruce Conner / Michael McClure, 1966.
        Bruce Conner, illustration from Bruce Conner / Michael McClure, 1966.
        Bruce Conner, illustration from Bruce Conner / Michael McClure, 1966.
        Bruce Conner, illustration from Bruce Conner / Michael McClure, 1966.
        Bruce Conner, illustration from Bruce Conner / Michael McClure, 1966.
        Bruce Conner, illustration from Bruce Conner / Michael McClure, 1966.

        A third book in our collection with Conner's illustrations was printed by Arion Press.

        Title page from Todd Glen's The Ballad of Lemon & Crow, 2002.
        Title page from Todd Glen's The Ballad of Lemon & Crow, 2002.

        Todd Glen's The Ballad of Lemon & Crow, "With illustrations by Bruce Conner and Anonymous Artists," was printed in San Francisco in 2002. The six images are photogravures from collages of wood engravings.

        Regarding the "Anonymous Artists"Arion Press has this to say:
        "After 2000 Conner announced he was retiring and would not sign or claim any new work as his own. Since then anonymous artists have collaborated to create additional work in a manner similar to that of Bruce Conner. We have no biographical information about the anonymous artists."
        From the colophon:
        "This is the first printing of The Ballad of Lemon & Crow. The edition is limited to 300 numbered and twenty-six lettered copies, each copy signed by the author and the artist. The book was designed and produced by Andrew Hoyem at the Arion Press with the assistance of Gerald Reddan, Leif Erlandsson, Shannon Kelley, Blake Riley, Charles Martin, and Katherine Case. Monotype English Old Style was composed and cast at Mackenzie & Harris by Peter Stoelzl and Lewis Mitchell. Printing of the type and plates was by letterpress. The intaglio printing of the photogravures was done by R.E. Townsend in Georgetown, Massachusetts. The text paper is all-cotton Ruysdael. The paper for the prints is mould-made T.H. Saunders buff loan. This is book sixty-three from the Arion Press."

        Bruce Conner, photogravure, from The Ballad of Lemon & Crow, 2002.
        Bruce Conner, photogravure, from The Ballad of Lemon & Crow, 2002.

        We were really pleased to find more of Bruce Conner's work in our Little Magazine Collection.

        In 1961, both his collage and poetry appeared in the first issue of the San Francisco little magazine titled Renaissance which was edited by John Bryan and later absorbed by Notes From Underground.

        Bruce Conner, collage, Renaissance, #1, 1961.
        Bruce Conner, collage, Renaissance, #1, 1961.
        Bruce Conner, poem, Renaissance, #1, 1961.
        Bruce Conner, poem, Renaissance, #1, 1961.
        Bruce Conner, poem, Renaissance, #1, 1961.
        Bruce Conner, poem, Renaissance, #1, 1961.

        In 1965, his artwork appeared in the first issue of the San Francisco little magazine Fux Magascean! which was edited by Robert R. Branaman.

        Bruce Conner, collage, Fux Magascean!, 1965.
        Bruce Conner, collage, Fux Magascean!, 1965.

        In 1971, his artwork appeared in the first issue of the San Francisco little magazine Isthmus which was edited by J. Rutherford Willems and Gary Gach.

        Bruce Conner, artwork, Isthmus #1, 1972.
        Bruce Conner, artwork, Isthmus #1, 1972.
        Bruce Conner, artwork, Isthmus #1, 1972.
        Bruce Conner, artwork, Isthmus #1, 1972.
        Bruce Conner, artwork, Isthmus #1, 1972.
        Bruce Conner, artwork, Isthmus #1, 1972.
        Bruce Conner, artwork, Isthmus #1, 1972.
        Bruce Conner, artwork, Isthmus #1, 1972.
        Bruce Conner, artwork, Isthmus #1, 1972.
        Bruce Conner, artwork, Isthmus #1, 1972.


        Several of these books are currently on display in the Book Arts & Special Collections Center on the 6th floor of the Main Library.
        Bruce Conner's signature, from colophon, The Ballad of Lemon & Crow, 2002
        Bruce Conner's signature, colophon, The Ballad of Lemon & Crow, 2002.
        For more books about Bruce Conner and his work in the SFPL's general collections see our catalog.

        Sources:
        Alastair Johnston's A Bibliography of Auerhahn Press, 1975.
        Arion Press, The Ballad of Lemon & Crow, 2002.
        San Francisco Museum of Modern Art.
        Cedar Sigo's Dave Haselwood & The Auerhahn Press, 2010.
        Verdant Press's Auerhahn PressBibliographic Checklist.
        Obituary, In Memory of Joko Haselwood, Stone Creek Zen Center.


        'Tis the Season: Christmas Dinner Menus

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        We couldn't resist passing up the holiday season without sharing some menus from the San Francisco History Center Ephemera Collection. Here are a few 20th century Christmas Dinner menus from about town. As you can see, San Francisco has been into it's food for over a century! If we tickled your taste buds and you want to explore more, check out San Francisco: A Food Biography by Erica Peters. Also, come visit the San Francisco History Center to view the hundreds of menus in the Ephemera Collection.

        California Hotel

        Oliver Wendell Holmes Society Christmas Dinner menu, 1903
        The Oliver Wendell Holmes Society, a late 19th - early 20th century literary society of San Francisco, held their annual Christmas Dinner at The California Hotel. The California Hotel was on Bush Street between Kearny and Grant Avenue.


        Oliver Wendell Holmes Society Christmas Dinner menu, 1903
        Cecil Hotel Christmas Dinner menu, 1914



        Cecil Hotel

        It seems like all menus start with oysters! This menu was fun to open with the addition of the gelatin silver photograph of the charming, season fireplace scene.

        The Cecil Hotel was located at 545 Post Street and was built in 1913. The structure (now Hotel Zeppelin) is a contributing building to the California Register of Historic Districts: Kearny-Market-Sutter Conservation District.







        Cecil Hotel Christmas Dinner menu, 1914


        Closer view of the planned menu --

        Cecil Hotel Christmas Dinner menu, 1914


        The Wine and Food Society of San Francisco

        The San Francisco Wine and Food Society, which began in 1935, is a charter member of the International Wine and Food Society.

        Wine & Food Society Christmas menu, 1967


        Wine & Food Society Christmas menu, 1967



        Popularity Contest: Most Popular Digital Content from the Archives in 2016

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        To be on the upside for the highlights of 2016, we ran a popularity contest of the digital content digitized from the archives in the San Francisco History Center and the San Francisco Historical Photograph Collection. Currently, the San Francisco Public Library has digitized content spread across a number of platforms (but we'll have a new DAMS in 2017 - fingers crossed!) so we have pulled it all together for you here.

        Most watched digitized audiovisual item from our YouTube Playlist Analog to Digital in 2016

        Chinatown, San Francisco, 1974  - Super 8mm film shot from the viewpoint of a San Francisco child "James" for a Bicentennial Project. Shots include Chinatown neighborhood, cable car, Saint Mary's Park and San Francisco Public Library's Chinatown Branch. 
        Second place = Chinatown, 1968, Super 8mm
        Third place = Mission District, 1974, Super 8mm

        Most watched digitized audiovisual item from our content in California Light and Sound in 2016


        Giant Trees of California, 1912 - 22mm film. Titles on film: "Giant trees of California, Thomas A. Edison / The Mariposa Grove of Big Trees -- feet high / A fallen monarch, this fell before the building of the Pyramids of Egypt / El Capitan reflected in the water / El Capitan, the largest rock in the world, 3300 feet high."


        Most viewed digitized book from the San Francisco History Center in 2016


        San Francisco Numerical Directory, 1939-1940. The is the best source for finding who lived in your San Francisco residence in the late 1930s. Want to learn more about who lived in your building? Start here with our online guide "How to Research a San Francisco Building."


        Top 5 Requested Digital Scans from the San Francisco Historical Photograph Collection in 2016

        Golden Gate Bridge construction, circa 1937. Courtesy of San Francisco History Center, San Francisco Public Library.
        Golden Gate Bridge construction, circa 1937

        Twin Peaks tunnel from the West Portal access, circa 1955. Courtesy of San Francisco History Center, San Francisco Public Library.
        Twin Peaks tunnel from the West Portal access, circa 1955

        Valencia Street at 16th Street, Mission District, 1958. Courtesy of San Francisco History Center, San Francisco Public Library.
        Valencia Street at 16th Street, Mission District, 1958

        Demonstrators protesting HUAC hearings in City Hall, 1960. Courtesy of San Francisco History Center, San Francisco Public Library.
        Demonstrators protesting HUAC hearings in City Hall, 1960

        Supervisor Harvey Milk in Board of Supervisors Chambers, City Hall, 1978.  Courtesy of San Francisco History Center, San Francisco Public Library.
        Supervisor Harvey Milk in Board of Supervisors Chambers, City Hall, 1978

        Most Popular Album of Images on Flickr in 2016
        D. H. Wulzen Glass Plate Negative Collection, 1900-1906
        D. H. Wulzen Glass Plate Negative Collection, 1900-1906. Dietrich H. Wulzen, Jr. documented early 1900s San Francisco through photography. Born in 1862, D. H. Wulzen became a pharmacist in 1889, studying at the Affiliated Colleges on Parnassus Heights. Wulzen built a pharmacy building on the corner of Castro, Market and 17th streets. In the 1890s he became interested in photography and added a Kodak Agency to his drug store.


        If you'd like to keep up on the recently added digitized content, for images, check out What's New Online. In 2016, collections uploaded to the online database included Shades of San Francisco projects for the Mission District and LGBTQI communities. We're almost done with uploading images from the Shades of San Francisco, Western Addition (more in 2017!).


        Greatest Hits of 2016: Most Requested and Researched Archival Collections

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        The beauty of working in a library, is that every item has its place - especially with reliance on the Dewey Decimal System. Similar to how librarians like to have materials in their places, (many) librarians enjoy collecting data. In the San Francisco History Center, we gather up data on which collections have the most use (and which don't). This assists the archivists with decision-making on which collection to process next, handling space issues...and running an annual popularity contest of which collections were the most popular in 2016! Last week we shared the most popular digitized content from the archives. Below are the top five archival collections most requested in 2016 from the San Francisco History Center and the San Francisco Historical Photograph Collection.

        San Francisco History Center's top 5 requested archival collections in 2016 --
        San Francisco Police Department Mug Book, 1919. Courtesy of San Francisco History Center, San Francisco Public Library.
        San Francisco Police Department Mug Book, 1919 

        1. San Francisco Police Department Records: When the processing archivist was busy creating access to the 88.7 linear feet of these records, here on the blog we gave you teasers into the records. Crime clipping scrapbooks, permits and licenses, Captain's orders and mug books are some of the more requested items from the records. Building researchers delve into the records based on the 12,000+ acetate negatives from the Bureau of Accident Prevention. With the focal point of each shot being the automobile accident, the majority of the shots include businesses and residences in the background.   
        2. San Francisco Unified School District Records: Want to know the history of a San Francisco public school? Here's your starting point. While there are materials from the early years of the district, the bulk of the collection is from 1874 to 1978. Major areas include administrative documents, curriculum titles, reports produced by the school district, and newspaper clippings. Materials include administrative circulars, photographs, scrapbooks, books, pamphlets, newsletters, district directories, handbooks, budget documents, salary surveys and schedules, maps, and newspaper articles. 
        3. San Francisco Redevelopment Agency Records: Made available in 2016, this collection already made the top 5! The records are partially processed and the projects open for research include Diamond Heights Project Area B-1; Embarcadero-Lower Market Project Area E-1 (Golden Gateway); Western Addition Project Areas A-1 and A-2; and Yerba Buena Center Project Area D-1. If you have a Redevelopment project you're researching, please contact the San Francisco History Center to arrange access to the unprocessed records.
        4. San Francisco General Hospital AIDS Ward 5B/5A Archives: In 1983, this was the first dedicated AIDS hospital ward in the United States. The collection includes scrapbooks, communication books, head nurses' files, correspondence, videotapes, publications, and memorabilia collected by the nursing staff of AIDS Ward 5B/5A at San Francisco General Hospital.
        5. San Francisco Office of the Chief Medical Examiner's Records: Thanks to FamilySearch, there are 624 of the 970 volumes digitized. The digitized volumes include Death Reports and Coroner's Register (available to view for FREE once a FamilySearch account is created). What has not been digitized are the Necropsy Reports (aka autopsy reports) and these can be requested at San Francisco History Center's reference desk. 

        San Francisco Historical Photograph Collection's top 5 requested archival collections in 2016 --

        1. San Francisco News-Call Bulletin Photo Morgue: With over 1 million photographs in 1,200 cartons, this collection receives the most requests. We put a spotlight on the collection during our 50th anniversary. If you like 20th century celebrities, athletes as well as political, social and cultural leaders, make a request!  
        2. San Francisco Assessor's Office Negative Collection: Over 75,000 San Francisco properties photographed, this is step #1 when searching for a photo of a building. 
        3. Robert Durden Color Slide Collection: After one has searched the online database and the Assessor's Office Negative Collection, the next step is this slide collection. The collection consists of over 65,000 color slides documenting San Francisco buildings, events and locations between 1950 and early 1990s, with the bulk from the 1980s-1990s.  
        4. San Francisco Department of Public Works Photograph Collection: This collection of photographs documents the projects of DPW's Bureau of Engineering. The first photograph album begins with 1907 and is an amazing way to see the reconstruction of San Francisco after the Earthquake and Fire of 1906. That's your teaser to come in and explore the 95 albums that go to the early 1940s!
        5. Marilyn Blaisdell Photograph Collection: With over 700 photographers and photo studios represented, this compilation is one of the greatest private collections of historical San Francisco photographs. Ms. Blaisdell gifted this wonderful collection to the San Francisco Public Library in 2014.

        Stereograph by Carlton Watkins, Marilyn Blaisdell Photograph Collection. Courtesy of San Francisco History Center, San Francisco Public Library.
        San Francisco from Dolores and 21st Streets, stereograph by Carlton Watkins, Marilyn Blasidell Photograph Collection

        backside of Watkins stereograph with Marilyn Blaisdell's collection notes


        Pro-tip on research in the archives: we're here to help! Both the San Francisco History Center and the San Francisco Historical Photograph Collection receive new collections every month. If you don't see a collection or subject area represented in the archival holdings - ask us! We may have the collection and we're busy behind-the-scenes processing the new collection.

        What IS It about Alice?

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        Join us for the Marjorie G. and Carl W. Stern Book Arts & Special Collections Center's Annual Holiday Lecture What IS It about Alice?  Mark Burstein's lecture will present a summary of his thoughts about Lewis Carroll and his immortal Alice books which were first published just over 150 years ago.

        Exactly what is it that makes them the most quoted novels ever written with citations on the scale of Shakespeare and the Bible? Alice's Adventures in Wonderland and Through the Looking Glass, and What Alice Found There have been translated into 194 languages, illustrated by hundreds of artists, and have been adapted into plays, musicals, movies, videogames, and merchandise. What IS it about Alice that makes these novels so celebrated, studied, and influential? 

        This highly illustrated talk delves deeply into these questions and into the lives of Carroll and his muse. Burstein will discuss what life is like as a modern Carrollian and address the question of how these novels have transcended their initial reputation as “children’s books” to become so meaningful to adults today. 

        Mark Burstein, a lifelong, second-generation collector and president emeritus of the Lewis Carroll Society of North America (LCSNA) is the longtime editor of the Knight Letter, the LCSNA’s magazine, and editor/ introducer/ contributor of thirteen books about Carroll, including The Annotated Alice: 150th Anniversary Deluxe Edition (W. W. Norton, 2015) and Alice’s Adventures in Wonderland: 150th Anniversary Edition Illustrated by Salvador Dalí (Princeton University Press, 2015). 

        Related programs include the exhibition The Illustrated Alice: The Imagining of Wonderland on the 6th floor of the Main Library which runs through April 1st. 

        Additionally, on April 1st the Lewis Carroll Society of North America will have their annual Spring Meeting in the Library's Koret Auditorium. 

        All programs at the library are free and open to the public.

        6th Annual Valentine Broadside Printing Event

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        The Book Arts & Special Collections Center presents the 6th Annual Valentine Broadside Printing Event on Saturday, February 4th, 2-4 p.m. on the 6th Floor of the Main Library. 

        You are invited to experience letterpress printing on the library’s 1909 Albion handpress and take home a unique keepsake for your sweetheart. 


        This year we will be printing a broadside which pays tribute to printer Harold Berliner and illustrator Wolfgang Lederer. San Francisco native Harold Berliner (1923 - 2010) might be best-known for writing the text of the Miranda Warning“you have the right to remain silent.” From 1957 to 1973 he served as Nevada County California’s District Attorney and took great satisfaction in his environmental and consumer protection legal work. But his early interest in fine printing lasted and sustained him his entire life. According to his friends and family, creating fine press books was his “big love.” 



        Wolfgang Lederer (1912 – 2003) was a master book designer and illustrator who fled Nazi Germany in 1939. By 1941 he was working at the California College of Arts and Crafts in Oakland creating their book design and commercial art programs. He was chairman of the Graphic Design Department at CCAC from 1950-1980 and after retirement continued on as professor emeritus. He designed dozens of books for the Harold Berliner Press in Nevada City, California. 


        Our co-sponsors, the American Printing History Association’s NorCal Chapter will provide printing assistance. 

        Click here to see how we do it. And here to see more photos of a previous event. 


        Everyone is welcome to print at the event, 
        but broadsides will be limited to the first 100 people.

        Guest Blogger - Jim Van Buskirk: Starring "The Rock": Alcatraz in Hollywood Movies

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        The San Francisco History Center is pleased to present author Jim Van Buskirk speaking about Alcatraz in Hollywood Films - Starring "The Rock" on Thursday, March 2, 2017 at 6:00pm in the Koret Auditorium at the Main Library. A returning guest blogger, Mr. Buskirk has written a guest blog post for "What's On the 6th Floor" about doing research for his presentation.

        Starring "The Rock": Alcatraz in Hollywood Movies
        by Jim Van Buskirk

        The idea for the upcoming program "Starring 'The Rock'" began after watching Point Blank. I'd long remembered the 1967 neo-noir's use of San Francisco locations and wasn't disappointed. Imbedded as a special feature on the library's DVD copy I discovered a short documentary about John Boorman's film as the first to actually shoot on the island after the penitentiary closed in 1963. This would make a good centerpiece in a program about Alcatraz in Hollywood movies, I thought. When I learned that the event could be tied to the upcoming exhibit The Alcatraz Florilegium: Artwork from the Gardens of Alcatraz, I was off and running. Little did I know I'd uncover cartoons, comedies, and even a gay porn flick.

        Police boat searching for escaped convicts from Alcatraz, 1943. Courtesy of San Francisco History Center, San Francisco Public Library.
        Police boat searching for escaped convicts from Alcatraz, 1943 
        My first resource was Alcatraz: The Ultimate Movie Book by Robert Lieber. When I tracked him -hand information and despite the rainy day squired us around areas not usually accessible to visitors while regaling us with fascinating stories. He lent me a VHS copy of Train to Alcatraz (1948) one of several films depicting convicts being transported to the escape-proof prison. When Ranger John pointed out locations used for the 1987 television movie Six Against the Rock, I was surprised that it wasn't on my carefully compiled list and ordered one as soon as we got home. After watching the suspense-filled reenactment of an attempted 1946 escape, I donated it to the San Francisco History Center.
        down at the Golden Gate National Parks Conservancy, Rob made arrangements for me and my partner, Allen, to take the staff boat to the island where we met with National Park Service Ranger John Cantwell. Ranger John was a font of first

        Solitary confinement cell on Alcatraz, 1974. Courtesy of San Francisco History Center, San Francisco Public Library.
        Solitary confinement cell on Alcatraz, 1974
        One unexpected title was suggested by Allen. In 1976 his late friend Artie Bressan had shot an Forbidden Letters. Intriguing, but how would I track down a copy? I asked around with no success until someone suggested searching the Frameline Film Festival Collection located at San Francisco Public Library. Worth a shot I thought and there it was. Not only that, it had been selected by film historian Jenni Olson as one of the few from this collection to be reformatted to DVD. Hormel LGBTQIA Center Processing Archivist Tim Wilson, always knowledgeable and helpful, immediately responded to my request by locating the DVD and reserving the San Francisco History Center's viewing station. The next Saturday afternoon Allen and I sat in the glass booth watching this forty-year old film. We assumed that Alcatraz locations would be used as merely establishing shots, and were shocked, shocked to see explicit sex scenes obviously filmed in the cells. The experience was meaningful to Allen, who heard his friend reading the film's closing credits, an homage to Orson Welles'The Magnificent Ambersons, while I selected a two-minute family friendly segment for inclusion in the program.
        experimental porn film on Alcatraz called
        Alcatraz Prison cell blocks, 1954. Courtesy of San Francisco History Center, San Francisco Public Library.
        Alcatraz Prison cell blocks, 1954

        I was able to view many/most films on my list from the SFPL's collection, and suggested a few available titles for acquisition. To support my research a friend generously ordered copies of several Electric Dreams, Skidoo and So I Married an Axe Murderer. Some are for kids: All Dogs Go to Heaven 2 and Cats and Dogs: The Revenge of Kitty Galore. Unable to locate a Nash Bridges episode, I did watch two from Streets of San Francisco.
        titles which will eventually be donated to the San Francisco History Center's collection.  I ultimately counted 37 films, or television shows, with sequences referencing Alcatraz. Some are comical, like

        I captured 28 sequences, with the expert assistance of Rich Bartlebaugh in the SFPL's Media Services. The clips span seventy-five years, from Alcatraz Island (1937) to Alcatraz, the 2012 television series. Some are... well you'll see when you come to the program at the Koret Auditorium at 6:00 on Thursday, March 2, 2017. See you there!

        Fred & Barbara Voltmer

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        A Tribute to Fred & Barbara Voltmer, broadside, designed by Li Jiang, printed by Chad Johnson (2017)

        On Saturday, February 25, 2017, a group of printers and friends of printing gathered at the San Francisco Center for the Book to celebrate Fred and Barbara Voltmer. Fred and Barbara have been encouraging and supporting letterpress printing in the San Francisco Bay Area and beyond for many years. Fred has repaired, renovated, advised about moving, and played matchmaker between handpresses and prospective owners. And it was time to celebrate them and their generosity.

        Li Jiang of Lemoncheese Pressdesigned the tribute broadside that lists the institutions which own the Albion, Columbian, or Washington handpressesFred has worked on.


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        Chad Johnson presenting the broadside to Fred Voltmer, photo by Peter Hanff

        Chad Johnson and Li Jiang printed the broadsides and everyone in attendance was invited to print their own as well. Chadis pictured above presenting the broadside toFred and Barbara.


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        Peter Koch with the broadside, photo by Peter Hanff

        Peter Koch, above, admiring the Voltmer tribute broadside.


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        Slide from Jeff Groves's talk, photo by Peter Hanff
        Jeff Groves is a professor at Harvey Mudd College where, in partnership with Special Collections at the Claremont Colleges, he founded The First-Floor Press. He teaches the history of printing and letterpress printing in a class which fills up quickly every time it is offered.He discussed his relationship with the Voltmers and how they supported and inspired him as he acquired equipment and developed the press room over the years.

        The slide pictured above shows Don and Kathi Fleming of The Golden Key Press in Orinda, California. The Voltmers introduced Groves to the Flemings who owned a 1911 Reliance printing press. Fred knew that Don's health was failing and that he wasn't using the press much and he insisted that Jeff meet him. Jeff met Don Fleming and was asked to write a proposal about how he might use the Reliance. Very soon after that meeting and just before his death in 2009, Don Fleming donated the Reliance to the Claremont Colleges. It is now an integral part of their printing program where it has found a new life as The First-Floor Press. Thanks to Fred Voltmer the Reliance continues to be usefully employed.


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        Voltmer event attendees, photo by Peter Hanff
        We all enjoyed hearing about Fred's relationship with Jeff and The First-Floor Press -- and we all could have told our own version of a "Fred"story.
         
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        Voltmer event attendees, photo by Peter Hanff
        The last slide of Jeff's talk featured this semester's class of smiling students standing around the Reliance.That was especially touching and a most appropriate sentiment.

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        Grendl Lofkvist presenting t-shirt to Fred, photo by Peter Hanff
        In addition, the Voltmers were recipients of APHA NorCal's Printer's Devil t-shirts and APHA SoCal's Albion coffee mugs.

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        Voltmer event attendees, photo by Peter Hanff
        Then there was lots of convivial mingling and refreshment in the lovely SFCB space.


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        Food and flowers at the Voltmer event, photo by Peter Hanff


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        Voltmer event attendees, photo by Peter Hanff

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        Dorothy Yule's "Bridge of Thanks" for the Voltmers, photo by Peter Hanff
         
        Dorothy Yule's fantastic paper-engineered Bridge of Thanks provided another impressive moment during an evening of friendship and goodwill which will not soon be forgotten.

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        Barbara and Fred with the "Bridge of Thanks", photo by Peter Hanff

        Above, Fred and Barbara enjoying Dorothy Yule's "bridge of thanks" (with APHA NorCal Vice President Alex Post distributing cheese cake in the background.)

        Many thanks to photographer-extraordinaire Peter Hanff for documenting the evening for us all.



        The Fox Collection's Spanish Language Treasures

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        Juanito y el Tallo de Haba (Jack and the Beanstalk) [New York, D. Appleton & Co., 1890]
        Laura Wasowicz from the American Antiquarian Society has been delving into the George M. Fox Collection of Early Children's Books as she continues to research the history of the McLoughlin Brothers publishing firm.

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        La Pobre Viejecita (The Poor Little Old Woman) [New York, D. Appleton & Co., 1899]
        She is preparing for an upcoming exhibition about the McLoughlin Brothers which will be mounted later this year at the Grolier Club in New York.

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        El Gato Bandido (The Cat Bandit) [New York, D. Appleton & Co., 1899]

        She happily discovered “gold” in the Fox Collection when she came upon numerous 19th century children’s books in Spanish. She was excited to find them and we were delighted to be reminded of them.
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        El Album de Angelina (The Angelina Album) [New York, D. Appleton & Co., 1869]

        The AAS where Laura works, owns approximately half of the McLoughlin Brother’s company’s files, and the SFPL owns the other portion – they make up the bulk of what we refer to as the Fox Collection.
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        El Album de Angelina (The Angelina Album) [New York, D. Appleton & Co., 1869]

        Her work with the Fox Collection has rounded out her understanding and filled in gaps as she pieces together the history of the business.
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        Cenicienta ó El Zapatito de Vidrio (Cinderella or the Glass Slipper) [New York, D. Appleton & Co., 1867]

        She will be giving a talk about her research at the Book Club of California on April 7th titled Radiant with Color and Art: McLoughlin Brothers and the Business of Picture Books, 1858-1920.This talk is free and open to the public and you are all invited to attend.You can RSVP here.

        book image
        Cenicienta ó El Zapatito de Vidrio (Cinderella or the Glass Slipper) [New York, D. Appleton & Co., 1867]

        She’ll discuss the history of the McLoughlin Brothers, who located their business in New York, and how they broadened the international picture book trade.
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        Pastorcita y Juan Chungero (The Little Shepardess) [New York, D. Appleton & Co., 1898]

        The McLoughlin Brothers made good use of new technologies like chromolithography and expanded the use of “branding” in their work.
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        Un Sarao Perricantante (Little Singing Dogs Dancing Party) [New York, D. Appleton & Co., 1869]

        Wasowicz will also illuminate the little-known business partnership between McLoughlin Brothers and D. Appleton & Company which greatly expanded 19th century foreign language picture book publishing and trade -- especially those published in the Spanish language.
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        Aves Mayores (Great Birds) [New York, D. Appleton & Co., 1903]

        Exceptional and colorful examples of their work, such as you see here, will be part of the major exhibition about the McLoughlin Brothers at the Grolier Club which opens in December.

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        Animales Salvajes (Wild Animals) [New York, D. Appleton & Co., 1903]

        Pictured above are examples of some of the Spanish language titles from the library’s Fox Collection. We hope you enjoy seeing them as much as we have enjoyed finding out more about them.

        It Came from the (Photo) Morgue: Sunday Bunday

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        San Francisco, April 4, 1942
             The Junior Red Cross this week distributed Easter baskets to the little people who were at Canon Kip Memorial House for afternoon's entertainment. Here is Miss Carol Rhoades with Margarita Cajias, Gena Schonne, Joseph Dorsie and Beverly Doyle, who are almost overcome by so many bunnies. [P110 CAJ--, ]

        NEH Awards Leading San Francisco Institutions $315,000 to Digitize AIDS Archives

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        The Archives and Special Collections department of the University of California, San Francisco (UCSF) Library, in collaboration with the San Francisco Public Library (SFPL) and the Gay, Lesbian, Bisexual, Transgender (GLBT) Historical Society, has been awarded a $315,000 implementation grant from the National Endowment for the Humanities. The collaborating institutions will digitize about 127,000 pages from 49 archival collections related to the early days of the AIDS epidemic in the San Francisco Bay Area and make them widely accessible to the public online. In the process, collections whose components had been placed in different archives for various reasons will be digitally reunited, facilitating access for researchers outside the Bay Area.

        The 24-month project, “The San Francisco Bay Area’s Response to the AIDS Epidemic: Digitizing, Reuniting, and Providing Universal Access to Historical AIDS Records” will commence on July 1, 2017. The 127,000 pages from the three archives range from handwritten correspondence and notebooks to typed reports and agency records to printed magazines. Also included are photographic prints, negatives, transparencies, and posters. The materials will be digitized by the University of California, Merced Library’s Digital Assets Unit, which has established a reputation for digitizing information resources so that they can be made available to the world via the web. All items selected for digitization will be carefully examined to address any privacy concerns. The digital files generated by this project will be disseminated broadly through the California Digital Library, with the objects freely accessible to the public through both Calisphere, operated by the University of California, and the Digital Public Library of America, which will have an AIDS history primary sources set.

        “A digital repository of 127,000 pages from 49 collections from these three institutions not only allows the collections to ‘speak’ to one another in novel ways, but makes them accessible to a broad array of audiences. Within academia, historians of medicine and public health will be joined by sociologists and historians of gender, sexuality, and journalism, for starters. They will be eager to make such remarkable primary source materials available to undergraduate, graduate, and medical students alike. But such materials have a far wider potential audience,” said Scott H. Podolsky, M.D., Professor of Global Health and Social Medicine at Harvard Medical School and Director of the Center for the History of Medicine at the Francis A. Countway Library of Medicine.

        Haipeng Li, University Librarian, University of California, Merced Library stated that “the UC Merced Library is very pleased to be partnering on this project, which builds upon our long-standing collaboration with UCSF Library to digitize rare and unique materials in the health sciences. Our students and researchers, especially those involved in UC Merced’s growing public health program, will benefit from wider access to the AIDS history materials and I am sure the experience and expertise of our staff will enable them to contribute significantly to the success of the project.”

        The AIDS epidemic became one of the most significant public-health events of the late-twentieth century, continuing into the twenty-first. San Francisco was particularly hard hit by AIDS, in part because, by the early 1980s, it had become a welcoming place for gay men who moved from throughout the country and around the world to experience a flourishing community. This same diaspora also fueled, early on in the crisis, the development of unique community-based organizations (CBOs) to care for the sick and dying. At the same time, the AIDS crisis engendered unprecedented modes of political activism. Desperate people with HIV/AIDS and their allies hoping for a cure, held protests and sit-ins at medical conferences and became respected colleagues in the search for effective treatments while demanding early access to therapies, shaking up the staid world of medical research. Art and literature, too, most notably the AIDS Quilt, were created out of the grief and loss caused by the epidemic. Beginning in the mid-1980s, San Francisco witnessed the development of a highly effective collaborative network of city and state agencies, hospitals, health care providers, and CBOs that, through a goal of putting patients first, became known as the “San Francisco model” of compassionate AIDS care.

        “The early years of the AIDS epidemic are just over the historical horizon for many who will themselves be forced to wrestle with issues of disease stigmatization and the blurred domains between medicine and society. These are our future patients, clinicians, politicians, and policymakers alike. It is thus important that such collections – documenting a central, if difficult, part of our nation’s history – be exposed to as wide a public as possible,” said Podolsky.

        In the late 1980s, UCSF initiated, with the GLBT Historical Society and other Bay Area archives, the AIDS History Project, addressing the need to forge relationships between historians and the AIDS community to document and preserve the lessons and experience of the AIDS epidemic. Today UCSF, the GLBT Historical Society, and SFPL archivists have selected collections from each archive that will contribute to an understanding of the medical, social, and political processes that merged to develop effective means of treating those with AIDS, educate the public about HIV, create social support organizations for those who were often shunned by family, and advocate for a community that was dying at an alarming rate.

        Terry Beswick, Executive Director of the GLBT Historical Society explained, “We were founded in 1985 in San Francisco, at a time when it was becoming increasingly apparent that AIDS was threatening the historical memory of the LGBTQ community. In fact, we lost many of our founders and supporters to AIDS – and many are living with HIV today. That’s why this project is especially important to us. AIDS and, more importantly, the San Francisco Bay Area’s response to the epidemic, have been both the catalyst for our formation and one of our main historical influences.”

        “The San Francisco Public Library houses both the City and County of San Francisco city archives and the James C. Hormel Gay and Lesbian Center, the first research center for GLBT collections in a public library in the country. In its role as the repository of the city archives, the library receives collections from politicians, including mayors, as well as from city departments, many addressing policy decisions and the creation of the “San Francisco model” in response to the devastation of the AIDS epidemic,” said Luis Herrera, San Francisco City Librarian. “Not only will the proposed collaborative project allow greater access to primary source materials that are located only in San Francisco, but it will ensure that these items are digitally preserved for long lasting use. We also welcome the opportunity to “reunite” collections that were given to multiple institutions in separate donations over time or from different donors.”

        “Rarely in the history of human societies has there been an opportunity to capture information in real time about a new disease that became a pandemic. The story is multi-focal: the medical response, the cultural response, the political response, and the caregiving response”, said Victoria A. Harden, Founding Director Emerita, Office of NIH History.

        Providing online access to the digital archival collections will benefit a diverse group of users, including scholars in disciplines such as history, literature, medicine, jurisprudence, journalism, and sociology; college and university students in an equally broad range of fields; media outlets; and members of the general public.

        “It is wonderful to think that a future researcher could, at the click of a button, shift quickly from Shilts’s book to his handwritten interview notes, to Selma Dritz’s slides about venereal disease, to the diary pages of Daniel Turner or Bobbi Campbell, or to the administrative records of the institutions involved – records which are currently geographically distant, despite having been tightly connected thematically in the past,” said Richard A. McKay, D.Phil., a Wellcome Trust Research Fellow in the Department of History and Philosophy of Science at the University of Cambridge.

        The project team has established a five-member Advisory Board that will be available to consult with project team members as needed to asses and resolve issues related to sensitive materials in the collections. Members include:

        • Barbara A. Koenig, PhD, RN, Professor of Medical Anthropology & Bioethics in the Department of Social & Behavioral Sciences, Institute for Health & Aging and Head of UCSF Bioethics Program 

        • Phoebe Evans Letocha, Collections Management Archivist at Alan Mason Chesney Medical Archives, Johns Hopkins Medical Institutions 

        • Jeffrey Reznick, PhD, chief, History of Medicine division at National Library of Medicine 

        • Paul Volberding, Professor of Medicine, UCSF; Director, AIDS Research Institute; Director, Global Health Sciences Research; Co-Director, UCSF-GIVI Center for AIDS Research 

        • Elizabeth Watkins, PhD, UCSF Dean of the Graduate Division, Vice Chancellor – Student Academic Affairs, and Professor in the Department of Anthropology, History, and Social Medicine 

        “UCSF and affiliated faculty and staff including those at Zuckerberg San Francisco General, played a leading role in responding to the horrendous HIV epidemic. The experiences of that response and the lessons learned that can help guide future challenges demand we collect and preserve documents from those early days.” said Paul Volberding, Director, AIDS Research Institute; Director, Global Health Sciences Research; Co-Director, UCSF-GIVI Center for AIDS Research. “We are thrilled that the UCSF Archives along with our partners at the SF Public Library and the GLBT Historical Society has received grant funding to support this process. We are certain that this archive will be a powerful research tool for historians as they help us better understand our contributions. The UCSF AIDS Research Institute is eager to do all we can to help this vital resource.”

         At the conclusion of the project, public access to the materials will be launched in a variety of ways. The availability on Calisphere and Digital Public Library of America will be promoted online, and the content of the collection will be explored through exhibits and public programs at each of the collaborating institutions, including at UC Merced. Finally, to commemorate the thirtieth anniversary of the 1989 “AIDS and the Historian” conference, a national conference on the history of the response to the AIDS epidemic will be presented in San Francisco.

         “NEH provides support for projects across America that preserve our heritage, promote scholarly discoveries, and make the best of America’s humanities ideas available to all Americans,” said NEH Chairman William D. Adams. “We are proud to announce this latest group of grantees who, through their projects and research, will bring valuable lessons of history and culture to Americans.”

        About UCSF Archives & Special Collections (UCSF Library) 
        The mission of the UCSF Archives & Special Collections is to identify, collect, organize, interpret, and maintain rare and unique material to support research and teaching of the health sciences and medical humanities and to preserve institutional memory. The UCSF AIDS History Project (AHP) began in 1987 as a joint effort of historians, archivists, AIDS activists, health care providers, scientists, and others to secure historically significant resources documenting the response to the AIDS crisis, its holdings currently include 42 collections and they continue to grow. 

        About the San Francisco History Center (San Francisco Public Library) 
        The San Francisco History Center holds a comprehensive, non-circulating research collection covering all aspects of San Francisco history from the time of the area’s earliest habitation to the present day. The material sheds light on many aspects of the City’s history: its geography and architecture; its politics and government; the lives of citizens, both prominent and ordinary; and the contributions of ethnic, cultural and social groups in creating the City’s vibrant character. The Center also holds the official archives of the City and County of San Francisco.

        About the GLBT Historical Society 
        As an internationally recognized leader in the field of LGBTQ public history, the GLBT Historical Society collects, preserves and interprets the history of gay, lesbian, bisexual and transgender people and the communities that support them. Founded in 1985, the society maintains one of the world’s largest collections of LGBTQ historical materials at its archives and research center in San Francisco’s Mid-Market District, in addition to operating the GLBT History Museum in the Castro neighborhood since 2011.

        About UC Merced Library 
        The UC Merced Library opened its doors to the inaugural class of University of California, Merced students in August 2005. From the beginning, the library has been the hub of the campus and a center for innovation. As a center of expertise in the digitization, curation, publication, and preservation of information resources, the Digital Assets unit enables and assures long-term access to digital collections that support the research areas of the UC Merced intellectual community and beyond.

        About the National Endowment for the Humanities Created in 1965 as an independent federal agency, the National Endowment for the Humanities supports research and learning in history, literature, philosophy, and other areas of the humanities by funding selected, peer-reviewed proposals from around the nation. Additional information about the National Endowment for the Humanities and its grant programs is available at: www.neh.gov


        Courtesy of Polina Ilieva, UCSF Archives & Special Collections 

        Doves Bindery, No. 828

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        A Cataloging Discovery!
        Colophon detail. John Ruskin. The Nature of Gothic (Hammersmith: Kelmscott Press, 1892)
        Colophon detail. John Ruskin. The Nature of Gothic (Hammersmith: Kelmscott Press, 1892)
        While cataloging one of our Kelmscott Press books, we came upon a beautiful but unusual Doves binding. Thanks to the knowledge and generosity of folks in the bookbinding community, we have identified it! This is binding no. 828 from the Doves Bindery, for John Ruskin's The Nature of Gothic, 1892.

        Cover. John Ruskin. The Nature of Gothic (Hammersmith: Kelmscott Press, 1892)
        Cover. John Ruskin. The Nature of Gothic (Hammersmith: Kelmscott Press, 1892)
        We queried local bookbinder Tom Conroy who contacted Marianne Tidcombe, an authority on the Doves Bindery. We had already checked her book The Doves Bindery(Oak Knoll Books, 1991)but hadn't found our Ruskin listed. However, Marianne's email response was enthusiastically in the affirmative.

        Spine. John Ruskin. The Nature of Gothic (Hammersmith: Kelmscott Press, 1892)
        Spine. John Ruskin. The Nature of Gothic (Hammersmith: Kelmscott Press, 1892)
        "Thank you very much for letting me know about this Doves binding at San Francisco Public Library. I recognized it at once! Blind-tooled, white pigskin Doves bindings being something of a rarity."

        John Ruskin. The Nature of Gothic (Hammersmith: Kelmscott Press, 1892)
        John Ruskin. The Nature of Gothic (Hammersmith: Kelmscott Press, 1892)
        "The reason you cannot find it in my book The Doves Bindery is because at the time of writing I did not know the author and title. However, it is described on p. 182, under No. 828, [Untitled. 8vo.], with references to the tools used on the Kelmscott Chaucer (3a and 9a) on pp. 55-57. It is, of course, not an 8vo., but a Kelmscott Press small 4to."

        Lower cover. John Ruskin. The Nature of Gothic (Hammersmith: Kelmscott Press, 1892)
        Lower cover. John Ruskin. The Nature of Gothic (Hammersmith: Kelmscott Press, 1892)
        Here's MarianneTidcombe's full description from page 182 of her book The Doves Bindery:

        "An apparently complete Pattern for a blind-tooled border and panel design by Cobden-Sanderson using William Morris tools. The borders consist of lines, and pencilled in open dots, a border of the circles tool, 9a, alternated with groups of four open dots, and a border made with tool 5d, round the panel; the panel is divided into lozenges, each containing a large fleur-de-lys, 3a, with tool 1i in the half-lozenges at the top and bottom."
        The library copy of Ruskin has blind-tooled borders and panel design. It was decorated with tools 1i, 3a, and 5d, as shown on page 55, and 9a, as shown on page 56, of Tidcombe’s book.

        Finishing tools designed by William Morris for a special binding of The Works of Geoffrey Chaucer  (Hammersmith: Kelmscott Press, 1896)
        Finishing tools designed by William Morris for a special binding of The Works of Geoffrey Chaucer
        (Hammersmith: Kelmscott Press, 1896)
        Above is a photograph of the finishing tools designed by William Morris for a special binding of The Works of Geoffrey Chaucer (Hammersmith: Kelmscott Press.) The tools are in the collection of The Society Of Antiquaries Museum in London. These are the kinds of tools which would have been used for the decorative blind-tooling on the binding.


        Bindery signature, inside lower cover. John Ruskin. The Nature of Gothic (Hammersmith: Kelmscott Press, 1892)
        Bindery signature, inside lower cover. John Ruskin. The Nature of Gothic (Hammersmith: Kelmscott Press, 1892)
        The Library acquired this book as part of the Max Kuhl Collection before January 1945. At some point it had been purchased from the Newbegin's Book Shop in San Francisco, as you can see from the bookseller's ticket on the back pastedown above.


        Colophon. John Ruskin. The Nature of Gothic (Hammersmith: Kelmscott Press, London, 1892)
        Colophon. John Ruskin. The Nature of Gothic (Hammersmith: Kelmscott Press, London, 1892)
        It is such a pleasure to learn about the provenance, history, and design of these very special books. Many thanks to everyone for their help with the research. Enjoy the images.

         

        The Ashley Wolff "Stella & Roy" Collection

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        Preliminary sketch & mock-up, The Ashley Wolff Stella & Roy Collection, San Francisco Public Library [1992]

        The Ashley Wolff Stella & Roy Collection came to the library last fall when Wolff, our library friend and neighbor, left San Francisco to live in her home state of Vermont. 

        Wolff, the successful and popular author of picture books for young children, had been a long-time patron of the Bernal Heights Branch Library near where she lived. She presented a slide-show about her work at the branch, supported the branch renovation campaign, and was a regular library patron. 

        She also exhibited her work at the Main Library and one year created the artwork for the library’s system-wide Summer Reading Club. She donated the original art to the Bernal Heights Branch where it hangs in the children’s room today. She was also invited to present the Effie Lee Morris Lecture at the Main Library in 2010. 

        We are pleased to have this small Stella & Roy Collection. The picture book for younger children tells the story of an outing to Stow Lake in Golden Gate Park. The collection itself provides a glimpse into the writer and artist’s creative process and provides visual evidence as to how a picture book is made. It contains linocuts, sketches, artwork, typescripts, book mock-ups, page and jacket proofs, and correspondence related to the book which was published in 1993. 


        Preliminary sketch, The Ashley Wolff Stella & Roy Collection, San Francisco Public Library [1992]

        Above you can see the very first notes for the story and an early sketch of the storyboard. 


        Preliminary sketch, The Ashley Wolff Stella & Roy Collection, San Francisco Public Library [1992]

        Here is a more detailed drawing. 

        image from book

        Linocut, The Ashley Wolff Stella & Roy Collection, San Francisco Public Library [1992]

        Here is the linocut which features the child on the tricycle, a motif you will see throughout the book and on the cover of the book. 

        image from book

        Preliminary print, The Ashley Wolff Stella & Roy Collection, San Francisco Public Library [1992]

        Here is a preliminary black and white print… 


        Preliminary sketch & mock-up, The Ashley Wolff Stella & Roy Collection, San Francisco Public Library [1992]

        …and an initial page mock-up for the tricycle scene with a full-color sketch and notes. 


        Full color sketch, The Ashley Wolff Stella & Roy Collection, San Francisco Public Library [1992]

        Here you see a final, full-color sketch which will eventually become the artwork in the book...


        Final book cover, The Ashley Wolff Stella & Roy Collection, San Francisco Public Library [1992]

        And on the front cover. 

        image from book

        Preliminary sketch, The Ashley Wolff Stella & Roy Collection, San Francisco Public Library [1992]

        More sketches… 

        image from book

        Linocut, The Ashley Wolff Stella & Roy Collection, San Francisco Public Library [1992]


        …which become a linocut… 

         
        image from book
        Preliminary print, The Ashley Wolff Stella & Roy Collection, San Francisco Public Library [1992]


        …which becomes a print. 

        It is wonderful to be able to see the steps in the process and the beautiful end result. 

        image from book

        Preliminary sketch, The Ashley Wolff Stella & Roy Collection, San Francisco Public Library [1992]

        Another sketch and page layout. 
         
        image from book

        Linocut, The Ashley Wolff Stella & Roy Collection, San Francisco Public Library [1992]

        Another linocut. 


        Preliminary print, The Ashley Wolff Stella & Roy Collection, San Francisco Public Library [1992]



        Preliminary print, The Ashley Wolff Stella & Roy Collection, San Francisco Public Library [1992]


        Preliminary print, The Ashley Wolff Stella & Roy Collection, San Francisco Public Library [1992]

        And a series of prints. 

        image from book

        Linocut, The Ashley Wolff Stella & Roy Collection, San Francisco Public Library [1992]

        Here is the linocut for the double-page spread -- a view of Stow Lake in Golden Gate Park – which, even in reverse, is beautiful. 

        Many thanks to Ashley Wolff for donating these materials to the Book Arts & Special Collections Center. Wolff paid tribute to San Francisco with her book Stella & Roy. Now the Stella & Roy Collection at the San Francisco Public Library serves as a bittersweet farewell to her.



        Invitation to Potluck publication celebration, The Ashley Wolff Stella & Roy Collection, San Francisco Public Library [1993]

        Bombs Away: Humor Goes to War

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        The Annual Wit & Humor Exhibition
        On view through May 31, 2017

        

             How did the average reader, and soldiers in the trenches, deal with the stress of war in the twentieth century? One way to preserve one’s sanity was to maintain a sense of humor. From every imaginable corner of a war-torn world, humor was used to oppose tyranny and satirize the enemy. 




         


             War is hell, but troops found that humor stayed the beast, boosting spirits, at least temporarily. Troops laughed while belly-aching daily about the latest SNAFU, they laughed about jawbreakers in the mess, ribbon-happy officers, gremlins fouling things up, the menace of flak, miserable months as a dogface, and the life of a mud-eating infantryman (thanks to the troops many slang words found their way into our daily speech).




             The world was full of newspaper cartoons and comic strips, commentary, editorial cartoons, propaganda and propaganda art. Millions of books published in Armed Services Editions were sent to the troops overseas; and cartoons, jokes, and anecdotes created by the troops themselves appeared in newspapers such as Stars and Stripes and Wipers Times.








              Folks at home rationed fuel and stockings, collected pots and pans for the war effort, dug Victory gardens, voraciously read reports by war correspondents, laughed with cartoonists, listened to the radio for the latest news, and struggled to stay in contact with loved ones on the front. Some Americans--Nat Schmulowitz among them--collected a daily record of the war, such as ration cards, letters from “somewhere in France,” anti-war flyers, and leaflets dropped over embattled countries.





        Here is the “doughboy,” “Sammy,” “yank,” and “jarhead;” his compatriots, adversaries, and other members of the Allied and Axis powers: all observed--frequently in racist terms-- by artists, cartoonists, and writers. The exhibition is a provocative display of patriotic, satirical, derisive, and propaganda-laden publications that incensed the enemy and sometimes, the Allies. Drawn from materials in the Schmulowitz Collection of Wit & Humor, Bombs Away: Humor Goes to War reveals the spirit, wit and humor of those inuniform, and the people they left behind at home. 














             “Without humor we are doomed,” noted Nat Schmulowitz, local attorney and former library trustee, who donated his collection of ninety-three jest books to the San Francisco Public Library on April 1, 1947. The collection has grown to over 22,000 volumes and includes periodicals and audio-visual materials, as well as a personal archive of materials from two major wars of the twentieth century. The Schmulowitz Collection of Wit & Humor (SCOWAH) is considered the most significant collection of its kind in a public library. Every year, the Book Arts &Special Collections Center presents an exhibition based on materials from SCOWAH, in tribute to Mr. Schmulowitz’s generosity and lifelong interest in the Library.



         



        Sarah Prideaux: Another Cataloging Discovery

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        Another cataloging discovery in our Grabhorn Collection!

        image of book
        S.T. Prideaux binding in the Grabhorn Collection, front cover

        We discovered and identified another fine binding as we were cataloging our Kelmscott Press books. This fine binding was done by Sarah Prideaux, an English bookbinder who lived from 1853-1933.The book is called The Tale of the Emperor Coustans and of Over Sea. It was printed and published by the Kelmscott Press in 1894.

        image of book
        S.T. Prideaux binding in the Grabhorn Collection, interior

        image of book
        S.T. Prideaux binding in the Grabhorn Collection, interior

        Above you can see her signature "S.T.P." stamp along with the date, 1898, inside the back cover.


        image of book
        A Catalogue of Books Bound by S.T. Prideaus, Grabhorn Collection
        It islisted in the bibliography, A Catalogue of Books Bound By S.T. Prideaux...

        image of book
        A Catalogue of Books Bound by S.T. Prideaux, Grabhorn Collection, interior

        ...here is the listing:
        "Morris, William. The Tale of the Emperor Coustans and of Over Sea. Done out of ancient French by William Morris. In black & red with borders & woodcut titles. 1894 Sextodecimo. Two copies."

        image of book
        A Catalogue of Books Bound by S.T. Prideaux, Grabhorn Collection, interior

        ...and here is the image of the bookcover from the bibliography.

        Prideaux was an interesting and talented woman.If you'd like to find out more about her, see Marianne Tidcombe's Women Bookbinders, an excellent and essential resource. 

         
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